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A first experience of his own studio.

Nagano, August 2010, with its own study, intended as a sculpture studio, is the first experience of autonomy of the work.
A very big house, even though Japanese ports to access the small bathroom and shower area, as distinct rooms. The door of your room, always low, where before only to my bed. Nothing new for me, thanks to the first experience of Japan two years ago but this place, this house is very different. By and go from home to study from a single door. So near and adjacent to the kitchen I see my last sculpture, and let them put on a table so low that it makes me back pain just watching it. In the study, without a floor and with the red earth from the old rusty iron authenticity of the settlement, some comfortable chairs, a few tables to support glasses and notebooks. A study of unusual, certainly not my style, so vast that it does not exploits not half and I do not see even half that I decided to leave. Work near the sliding doors of glass and wood overlooking the street, where there is more light.
enter and exit the study means the house as usual to take off your shoes and get barefoot and bare, put on her shoes for walking in the study. A nuisance at first, a ritual in recent days.
this strange house, sleeping in the upstairs bedroom window and see the almost transparent canopy of the study and know that everything is open, doors and windows, all without lock. The first workshop I

for a month, mine alone. True, I share the house with a boy and a university in Nagano Japanese artist, hosted for a period similar to mine. I only work here.
True, for me anyway is a walking, just a place with a roof and a floor, I have a couple of tools to work on loan, the material was given to me by a carpenter. For the rest, what we actually have is just a little 'imagination. How
Servillo says: "The worst thing that can happen to a man who spends much time alone is not to have imagination."
Laboratory and imagination are like hands and eyes. Perhaps a comparison with some 'soaring enthusiasm, the laboratory is the place of my imagination.
Nagano and my chair, with the camera and a book and finally, a bit 'of silence that sometimes I am disgusted and I relive the times.