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"Who can be exempted from the fact that it is not subject to anything?
disobeying something, means something else to obey.
The problem is not that of servant and master, the real problem is not singing out of tune.
The rest is nothing. "
Bruno Balzan

Silently inaccessible

What people are saying that short and long periods spent in solitude.

reason, thoughtlessly, is a virtue for those who spend almost every night and walk quietly in lonely wandering.
silently Reasoning is an attitude, but those thoughts quiet broods over long periods of abandonment and loneliness, have the opportunity and the ability not to utter words in the wrong moment of an encounter. The unusual conversation is a way to express a concrete thinking in a nutshell, concentrating every effort to Use those few sentences with ferocity decision, using a tone of melody and pull off a polished look relaxed and composed. The polite conversation could be observed also the last, but those few minutes will appear on a show and inimitable and Auric.

Ideas

The idea is like a conversation, takes on different guises, in accordance with its development.

James Webb writes:
"An idea is nothing more than a new combination of old elements.
The ability to transfer old items into new combinations depends largely on the ability to establish relationships. "

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show. nagano-August 2010

























Nagano. August 23, 2010

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only to report my work in another blog.

Workshop "time line". Nagano, August 2010.

http://naganoshimin.naganoblog.jp/

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creative activities and workshops on August 15 in Nagano Italian sculptor (Sun)

Tayarioru's painting workshop opened with Kio Ayumi
art Italian city staying in Nagano this month Tayarioru Michele's house (25) is intended for adults and elementary school, planned to draw public lectures To recruit participants. Zenkoji walking around with a two-day schedule of 22 and 17, in an attempt to sketch the landscape like "fun to spend time" trying to.

Tayarioru's lives in Carrara, Italy, studied at the Academy of Fine Arts, National Carrara, Italy, and now owns a local art gallery with a friend. Professor Kimura Hitoshi Taishin learned through a friend of the Faculty of Education (61) at the invitation of visiting. Have a creative activity studio based in the city 桜枝 town.

17,22 days, walking around together with Tayarioru Zenkoji, drawing landscapes in the studio. Finished work in the exhibition is opened in the city's Tayarioru 23 to 30 days on display, along with photographs and maps of the actual landscape.

Tayarioru's is "as big as Tokyo and Nagano, but is rich in opportunities for young people and artists. Draw overflowing with dreams and expectations through the pictures" are calling for this.

10:00 am to noon on both days. Capacity 20 people. The organizer will provide art supplies. Can participate only one day. The subjects were at least third grade, students will need more than one thousand yen enrollment fee. Apply, contact Professor Kimura (telephone 026.238.4144) to.

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"Love is blind God is love, Ray Charles is blind. Therefore Ray Charles is God "
Vinicio Capossela

names by a word is the result of a logical, intuitive, perhaps, towards the identification of things. As happened in many historical situations in which the first invaders were trying to communicate through their own language with the people they met. The result: gestures, signs, pictures, sounds. Basically they tried to enter the first segments of language to carry out conversations more daring, then they both need to know the name of the things that made up the place. They tried to interpret the new language, the first symptoms of translation.
was a need, and still is the need to understand things. Appoint
around what we have allows us to interpret them, to arrive at an etymology, deepen the subject. Interpret it for the first time, translate it if it already has a name and then appoint or we call it.
What fascinates me is the name of the first things that is then implemented the translation, which complicates the procedure, is when the subject is distorted and needs to be addressed through a new name, and then we use the translation, but not of ' interpretative imagination.
Currently extending this practice to the realm of art, many of us have the means and the desire to interpret what he sees?
is perhaps a rhetorical question because we all have the means to reach its own interpretation of things, but perhaps as few have the desire to stop and ask.
I constantly ask myself what I produce even though I know what I draw. Objects known from the beginning of a new nature, but still names to its origin. A destabilizing
advantage, a disadvantage to the need intuitive.

The social need for the cabinet to conduct some trade-offs that are undermined when it crumbles intuition rated of the subject-mobile. The destabilization of the press seems to need a counterpart: the subject is what I need and helps me to fill a need, the subject is not because it solves one of my needs.
So I can assume that the transfiguration (or re-representation) of a subject to which the community has given a name by the need, has no value if it can not be named.
If all this could be resolved with logical reasoning, I, for one, I would be stripped of my own limits of interpretation, as I create only through things that are already recognizable. I look good and not only implement a logical process of "intellectual and artistic appreciation object "but, in fact, destabilizing the need for playing with things that I avoid giving a new name just because the translation does not make use of the imagination. As if to say: it could be something else but it is not, might be what it was but it is not. This is what is not.

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A first experience of his own studio.

Nagano, August 2010, with its own study, intended as a sculpture studio, is the first experience of autonomy of the work.
A very big house, even though Japanese ports to access the small bathroom and shower area, as distinct rooms. The door of your room, always low, where before only to my bed. Nothing new for me, thanks to the first experience of Japan two years ago but this place, this house is very different. By and go from home to study from a single door. So near and adjacent to the kitchen I see my last sculpture, and let them put on a table so low that it makes me back pain just watching it. In the study, without a floor and with the red earth from the old rusty iron authenticity of the settlement, some comfortable chairs, a few tables to support glasses and notebooks. A study of unusual, certainly not my style, so vast that it does not exploits not half and I do not see even half that I decided to leave. Work near the sliding doors of glass and wood overlooking the street, where there is more light.
enter and exit the study means the house as usual to take off your shoes and get barefoot and bare, put on her shoes for walking in the study. A nuisance at first, a ritual in recent days.
this strange house, sleeping in the upstairs bedroom window and see the almost transparent canopy of the study and know that everything is open, doors and windows, all without lock. The first workshop I

for a month, mine alone. True, I share the house with a boy and a university in Nagano Japanese artist, hosted for a period similar to mine. I only work here.
True, for me anyway is a walking, just a place with a roof and a floor, I have a couple of tools to work on loan, the material was given to me by a carpenter. For the rest, what we actually have is just a little 'imagination. How
Servillo says: "The worst thing that can happen to a man who spends much time alone is not to have imagination."
Laboratory and imagination are like hands and eyes. Perhaps a comparison with some 'soaring enthusiasm, the laboratory is the place of my imagination.
Nagano and my chair, with the camera and a book and finally, a bit 'of silence that sometimes I am disgusted and I relive the times.

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Nagano