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4 December 2010 - January 30, 2011 December 4, 2010 inauguration
h. 17:00

THE COMMA Gallery
Piazza della Vittoria - Castello Pasquini (LI)

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Fire neutralizes the object, frustrated in a merger, where the fire is not crystallize but transforms and amalgamates all broken. Faced with the fear of chaos, in the face of freedom, it goes in search of order and the fire which "orders", orders the chaos, order (al-) freedom. In search of necessity, that will subtract-l 'will of the same origin of the objects-fire is the plain, reassurance. The revolution of "newspaper"-the non-sense and does not find his way home.

time
Object "Scottatto" - no longer what it was and no longer able to return to do so-is stationed in an eternal present, which always re-presents himself, himself imprisoned, condemned to a perpetual inqualificazione. In this eternal present itself be the subject expresses his timeless and, as an object for the sunset, the work of art, even anonymously, searched for immortality.

by
Glass is the research, over which it is seeking the addition of the eternal future that is written. The opacity of the glass, the dust settles, again, it frustrates knowledge. In front of him, but unable in recognizing, to be pushing towards the attempt is not granted, the very possibility of meeting between different times.
The mirror is the cycle of belief: locked-in the eternal present, will be looking for a present-future, but there is no focus, and it portrays the man in his image, a document to be, as in a living past that you can not live otherwise.

... but we imagine the shame of life Prometheus Unbound by time, which visibly empty, undo all the anguish of contemporary and mocked elsewhere affirms the eternal life.

text Tiziano M.

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HEADING

work in progress, No. 1.

is imperative for me to thank all those who cooperated and made this project "was now, for the simple reason of giving me yet another opportunity to work in Tuscany and to have left a trail through my work in Moreover, the short but pleasant meeting with a class of middle school-Certaldo.
Gratitude is assumed to emphasize the importance of these events and these collaborations that occur among new graduates, professionals from different sectors, such as visual arts, theater and music, all coagulated On this occasion, to 'The butchery to organize the opening of the theatrical season of the Centre.
these lines are not suitable to relate the individual days of work, it is important to stress as a project of contemporary art, music and theater have failed to provoke significant reactions of an audience of different cultural backgrounds.
Through my last experience, I noticed a certain complicity with the people of the country, intrigued by the activities that were manifested in the Centre slaughterhouses. This happens when there are questions also advancing projects of some significance, always focusing on product quality and firm belief in their work. People who have made efforts to reach a hypothetical result of satisfaction to a large audience, you are deluded to offer the banal interpretations of what was evolving to 'dressing but I have got curiosity and a bit' of confusion. They have, perhaps unwittingly, undermined some of the social dynamics of the place.
For institutions that have the ability and role to give voice to those who propose projects for cultural and artistic, is required by my UPS and the Will to assess and support those who voluntarily seek to realize their ideas.

in the role of contemporary art was now managed to fit a decent (so bold I would say overwhelmingly) in the different dynamics of the one context, Certaldo and slaughterhouses.

conclude by thanking for the last time in the last lines Lorenzo Cianchi, Sara Poggianti, Thomas Capecchi, Giuseppe, Titian and Lorenzo Marini.


Thanks

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"Who can be exempted from the fact that it is not subject to anything?
disobeying something, means something else to obey.
The problem is not that of servant and master, the real problem is not singing out of tune.
The rest is nothing. "
Bruno Balzan

Silently inaccessible

What people are saying that short and long periods spent in solitude.

reason, thoughtlessly, is a virtue for those who spend almost every night and walk quietly in lonely wandering.
silently Reasoning is an attitude, but those thoughts quiet broods over long periods of abandonment and loneliness, have the opportunity and the ability not to utter words in the wrong moment of an encounter. The unusual conversation is a way to express a concrete thinking in a nutshell, concentrating every effort to Use those few sentences with ferocity decision, using a tone of melody and pull off a polished look relaxed and composed. The polite conversation could be observed also the last, but those few minutes will appear on a show and inimitable and Auric.

Ideas

The idea is like a conversation, takes on different guises, in accordance with its development.

James Webb writes:
"An idea is nothing more than a new combination of old elements.
The ability to transfer old items into new combinations depends largely on the ability to establish relationships. "

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show. nagano-August 2010

























Nagano. August 23, 2010

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only to report my work in another blog.

Workshop "time line". Nagano, August 2010.

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creative activities and workshops on August 15 in Nagano Italian sculptor (Sun)

Tayarioru's painting workshop opened with Kio Ayumi
art Italian city staying in Nagano this month Tayarioru Michele's house (25) is intended for adults and elementary school, planned to draw public lectures To recruit participants. Zenkoji walking around with a two-day schedule of 22 and 17, in an attempt to sketch the landscape like "fun to spend time" trying to.

Tayarioru's lives in Carrara, Italy, studied at the Academy of Fine Arts, National Carrara, Italy, and now owns a local art gallery with a friend. Professor Kimura Hitoshi Taishin learned through a friend of the Faculty of Education (61) at the invitation of visiting. Have a creative activity studio based in the city 桜枝 town.

17,22 days, walking around together with Tayarioru Zenkoji, drawing landscapes in the studio. Finished work in the exhibition is opened in the city's Tayarioru 23 to 30 days on display, along with photographs and maps of the actual landscape.

Tayarioru's is "as big as Tokyo and Nagano, but is rich in opportunities for young people and artists. Draw overflowing with dreams and expectations through the pictures" are calling for this.

10:00 am to noon on both days. Capacity 20 people. The organizer will provide art supplies. Can participate only one day. The subjects were at least third grade, students will need more than one thousand yen enrollment fee. Apply, contact Professor Kimura (telephone 026.238.4144) to.

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"Love is blind God is love, Ray Charles is blind. Therefore Ray Charles is God "
Vinicio Capossela

names by a word is the result of a logical, intuitive, perhaps, towards the identification of things. As happened in many historical situations in which the first invaders were trying to communicate through their own language with the people they met. The result: gestures, signs, pictures, sounds. Basically they tried to enter the first segments of language to carry out conversations more daring, then they both need to know the name of the things that made up the place. They tried to interpret the new language, the first symptoms of translation.
was a need, and still is the need to understand things. Appoint
around what we have allows us to interpret them, to arrive at an etymology, deepen the subject. Interpret it for the first time, translate it if it already has a name and then appoint or we call it.
What fascinates me is the name of the first things that is then implemented the translation, which complicates the procedure, is when the subject is distorted and needs to be addressed through a new name, and then we use the translation, but not of ' interpretative imagination.
Currently extending this practice to the realm of art, many of us have the means and the desire to interpret what he sees?
is perhaps a rhetorical question because we all have the means to reach its own interpretation of things, but perhaps as few have the desire to stop and ask.
I constantly ask myself what I produce even though I know what I draw. Objects known from the beginning of a new nature, but still names to its origin. A destabilizing
advantage, a disadvantage to the need intuitive.

The social need for the cabinet to conduct some trade-offs that are undermined when it crumbles intuition rated of the subject-mobile. The destabilization of the press seems to need a counterpart: the subject is what I need and helps me to fill a need, the subject is not because it solves one of my needs.
So I can assume that the transfiguration (or re-representation) of a subject to which the community has given a name by the need, has no value if it can not be named.
If all this could be resolved with logical reasoning, I, for one, I would be stripped of my own limits of interpretation, as I create only through things that are already recognizable. I look good and not only implement a logical process of "intellectual and artistic appreciation object "but, in fact, destabilizing the need for playing with things that I avoid giving a new name just because the translation does not make use of the imagination. As if to say: it could be something else but it is not, might be what it was but it is not. This is what is not.

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A first experience of his own studio.

Nagano, August 2010, with its own study, intended as a sculpture studio, is the first experience of autonomy of the work.
A very big house, even though Japanese ports to access the small bathroom and shower area, as distinct rooms. The door of your room, always low, where before only to my bed. Nothing new for me, thanks to the first experience of Japan two years ago but this place, this house is very different. By and go from home to study from a single door. So near and adjacent to the kitchen I see my last sculpture, and let them put on a table so low that it makes me back pain just watching it. In the study, without a floor and with the red earth from the old rusty iron authenticity of the settlement, some comfortable chairs, a few tables to support glasses and notebooks. A study of unusual, certainly not my style, so vast that it does not exploits not half and I do not see even half that I decided to leave. Work near the sliding doors of glass and wood overlooking the street, where there is more light.
enter and exit the study means the house as usual to take off your shoes and get barefoot and bare, put on her shoes for walking in the study. A nuisance at first, a ritual in recent days.
this strange house, sleeping in the upstairs bedroom window and see the almost transparent canopy of the study and know that everything is open, doors and windows, all without lock. The first workshop I

for a month, mine alone. True, I share the house with a boy and a university in Nagano Japanese artist, hosted for a period similar to mine. I only work here.
True, for me anyway is a walking, just a place with a roof and a floor, I have a couple of tools to work on loan, the material was given to me by a carpenter. For the rest, what we actually have is just a little 'imagination. How
Servillo says: "The worst thing that can happen to a man who spends much time alone is not to have imagination."
Laboratory and imagination are like hands and eyes. Perhaps a comparison with some 'soaring enthusiasm, the laboratory is the place of my imagination.
Nagano and my chair, with the camera and a book and finally, a bit 'of silence that sometimes I am disgusted and I relive the times.

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Nagano

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Boards







The dashboard conceals, for our will or desire something.
It is not a drawer where you hide sheets, shows and other shows with its simple elegance. It's contents and container, as it relates to objects and subject them paradoxically makes them authentic and almost sacred, in fact sacrificed in ice structure between windows and mirrors, between the warmth of wood. All that is
content seems to justify a single view dictated by the person who owns the board and as objects of contemporary new light.
The board is a strong textualism, where social objects have a long life and depend for their existence, by those who know them.

alien and she compromises and combinations, the shouts of trick passes in front all'inopinabile also be an object invested with an emotional charge.

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photographs of Frank Bridge Verdelli the study of iron during the installation work Showcase # 2 for the "1 / 5 contemporary sculpture"

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one thing leads to
or: From thing leads to another? In

nominate grow things, in our memories, we recognize, we do fade
scenarios traits faded and it's just the familiarity gained through these processes to allow
to guide and give them a meaning. We thus learn to place them in a map the spatial and temporal
, to use it or give it up to buy or sell, or neglect to give them value,
to love them, hate them or make them indifferent.

hoisting the background and our activities, I think we have taken away from them any reference to us,
reducing them to material entities that we are just in front of a second type
default item.

objects "materials", those developed, designed or invented by men working
rough elements provided by nature according to specific models, techniques and cultural traditions. The focus
it compared to the human subject is for another person to show himself in his back, in
its more hidden and less visited. Invested affections, concepts and symbols that individuals, society and history there
project, the objects become things, as distinguished from the goods
simple to use and exchange values \u200b\u200band the expression of status symbol.