installazione DISGREGANZE E REVERSIBILITA'
"we live together in a photograph of time #2"
Certaldo (FI)
Friday, January 28, 2011
New Job Congratulatiosn
installazione DISGREGANZE E REVERSIBILITA'
"we live together in a photograph of time #2"
Certaldo (FI)
Milena Velba Lookalikes
installazione DISGREGANZE E REVERSIBILITA'
"we live together in a photograph of time #2"
Certaldo (FI)
Rekha And Neetu Singh
installazione DISGREGANZE E REVERSIBILITA'
"we live together in a photograph of time #2"
Certaldo (FI)
Tuesday, January 25, 2011
Aroused During Brazilian Waxing
residues
what is left of what we eliminate
Remove to rebuild, reconstruct what is left and finally bring everything to a primordial image that shamelessly call. It is as if we were to say fo what interests us, the memorize portions of the image, imagine what we remember, and create structures based on memories.
In so doing we embroider of small worlds on the structures of memory. As if we were to hang clothes (pictures) with the hangers (structures) within the memories (cabinets). Someone spoke of dreams in a drawer, others said they had also stolen the drawer. The primordial image does not exist, there is a structure made of lines and tensions, small combinations and stitching. On this structure we begin to put relations, overlapping colors and shapes. A structure has no limits or constraints of a sheet of paper, we give a dimension to the structure and relate with what we "actually" atorno us. It is the armor of a sculpture, is the rib of a building, but also the profile of a room or the handrail of a staircase.
But the most luxurious I've ever seen is in the gardens. 
what is left of what we eliminate
Remove to rebuild, reconstruct what is left and finally bring everything to a primordial image that shamelessly call. It is as if we were to say fo what interests us, the memorize portions of the image, imagine what we remember, and create structures based on memories.
In so doing we embroider of small worlds on the structures of memory. As if we were to hang clothes (pictures) with the hangers (structures) within the memories (cabinets). Someone spoke of dreams in a drawer, others said they had also stolen the drawer. The primordial image does not exist, there is a structure made of lines and tensions, small combinations and stitching. On this structure we begin to put relations, overlapping colors and shapes. A structure has no limits or constraints of a sheet of paper, we give a dimension to the structure and relate with what we "actually" atorno us. It is the armor of a sculpture, is the rib of a building, but also the profile of a room or the handrail of a staircase.
But the most luxurious I've ever seen is in the gardens.
Subscribe to:
Comments (Atom)