Loadable Songs Of Eagles

SCULPTURE IN THE IRON BRIDGE

What Do Colours On Shag Bands Mean

SCULPTURE COLLECTIVE EXHIBITION AT THE IRON BRIDGE

4 December 2010 - January 30, 2011 December 4, 2010 inauguration
h. 17:00

THE COMMA Gallery
Piazza della Vittoria - Castello Pasquini (LI)

Maxi Mound And Lollo Ferrari

by this time

reading material


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Fire neutralizes the object, frustrated in a merger, where the fire is not crystallize but transforms and amalgamates all broken. Faced with the fear of chaos, in the face of freedom, it goes in search of order and the fire which "orders", orders the chaos, order (al-) freedom. In search of necessity, that will subtract-l 'will of the same origin of the objects-fire is the plain, reassurance. The revolution of "newspaper"-the non-sense and does not find his way home.

time
Object "Scottatto" - no longer what it was and no longer able to return to do so-is stationed in an eternal present, which always re-presents himself, himself imprisoned, condemned to a perpetual inqualificazione. In this eternal present itself be the subject expresses his timeless and, as an object for the sunset, the work of art, even anonymously, searched for immortality.

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Glass is the research, over which it is seeking the addition of the eternal future that is written. The opacity of the glass, the dust settles, again, it frustrates knowledge. In front of him, but unable in recognizing, to be pushing towards the attempt is not granted, the very possibility of meeting between different times.
The mirror is the cycle of belief: locked-in the eternal present, will be looking for a present-future, but there is no focus, and it portrays the man in his image, a document to be, as in a living past that you can not live otherwise.

... but we imagine the shame of life Prometheus Unbound by time, which visibly empty, undo all the anguish of contemporary and mocked elsewhere affirms the eternal life.

text Tiziano M.