HEADING
work in progress, No. 1.
is imperative for me to thank all those who cooperated and made this project "was now, for the simple reason of giving me yet another opportunity to work in Tuscany and to have left a trail through my work in Moreover, the short but pleasant meeting with a class of middle school-Certaldo.
Gratitude is assumed to emphasize the importance of these events and these collaborations that occur among new graduates, professionals from different sectors, such as visual arts, theater and music, all coagulated On this occasion, to 'The butchery to organize the opening of the theatrical season of the Centre.
these lines are not suitable to relate the individual days of work, it is important to stress as a project of contemporary art, music and theater have failed to provoke significant reactions of an audience of different cultural backgrounds.
Through my last experience, I noticed a certain complicity with the people of the country, intrigued by the activities that were manifested in the Centre slaughterhouses. This happens when there are questions also advancing projects of some significance, always focusing on product quality and firm belief in their work. People who have made efforts to reach a hypothetical result of satisfaction to a large audience, you are deluded to offer the banal interpretations of what was evolving to 'dressing but I have got curiosity and a bit' of confusion. They have, perhaps unwittingly, undermined some of the social dynamics of the place.
For institutions that have the ability and role to give voice to those who propose projects for cultural and artistic, is required by my UPS and the Will to assess and support those who voluntarily seek to realize their ideas.
in the role of contemporary art was now managed to fit a decent (so bold I would say overwhelmingly) in the different dynamics of the one context, Certaldo and slaughterhouses.
conclude by thanking for the last time in the last lines Lorenzo Cianchi, Sara Poggianti, Thomas Capecchi, Giuseppe, Titian and Lorenzo Marini.
Thanks
Michele Tajariol
